Sydney

Re-imagining Glebe Island Bridge by Tom Oliver Payne

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I remember as a kid, Mum’s car would sit idling in traffic as the Glebe Island Bridge sat cantilevered open for boats to pass through. I’d sit fixated on the construction of the monstrous pylons next door that would soon become the Anzac Bridge.

Anzac has since become iconic - serving in films and commercials and becoming a much-loved part of the city’s skyline. But it’s limited by its own height. Cars are suited to grade separation and steep inclines, but pedestrians and cyclists move better closer to the ground plane.

Glebe Island Bridge has sat a disused relic. But imagine it was re-instated: connecting cyclists and pedestrians across one of our harbour’s most loved Bays. One of Australia’s last swing bridges, its historical significance is physical - but it’s also deeply rooted to Sydney’s cultural identity. Particularly that of the inner west.

Excited that these two beautiful bridges could one day operate side-by-side.

(Image courtesy NewCorp)


Sydney's summer spaces by Tom Oliver Payne

It was the summer defined by smoked-filled air and underlying anxiety, as NSW dealt with some of its worst bushfires on record. But for a lot of Sydneysiders, life went on: beaches were full, and joggers were out each morning braving the haze.

Spending a lot of time at Bondi’s North Rocks this summer, I thought about the incredible value that these places give to the city... They offer respite - but are also social and leisure spaces where people gather to exercise, talk and spend time with their families. Sitting next to what are sometimes $7, $8, or $9 million dollar private properties, its nice to remind ourselves that we have some of the world’s best public spaces right along our coastline. And perhaps the importance of our beaches was even more apparent this summer as people sought fresh ocean breeze to avoid the ever-present smoke.

A couple of summer snaps below.

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SMH Article: What Sydney can learn from London's approach to brutalist architecture by Tom Oliver Payne

"Sirius, just like Trellick, Balfron and the Barbican in London, illustrates important aspects of the nation's social and cultural history."Last week I had an opinion piece published in the Sydney Morning Herald on brutalist architecture in Sydney and London. 

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Photographing for Sydney's Neighbourhood Paper by Tom Oliver Payne

Before leaving Sydney I did a few photography shoots for Sydney’s new 'Neighbourhood Paper'. I was called out to take portraits of super interesting people, including a restaurant owner in Darlinghurst, the editor in chief of South East Asia’s Mekong Review, who is based in the Sydney suburbs of Leichhardt, and a beautiful young lady named Joanna Rix - an aspiring actor with Down's syndrome.

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Photographing for #WeLiveHere2017 by Tom Oliver Payne

Over the last few weeks, I've been shooting documentary photos for the #WeLiveHere2017 campaign. Each day I've been visiting the neighbourhood of Waterloo in central Sydney to document the people who live there. I've been taking their portraits, as well as asking them a few questions about their connection with the neighbourhood. 

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Sydney, it's time to face your addiction by Tom Oliver Payne

The New South Wales Government is desperate. It ignores ongoing advice from friends, family and experts to seek alternatives. It fights all obstacles in its path for more. It cares only for the short-lived gratification, euphoria and high, to the detriment of healthy decades ahead. I guess when life feels is so good right now, why would it care?

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A conversation with Jess Cook of Sydney's 107 Projects by Tom Oliver Payne

Jess Cook has been involved in a range of events and creative projects over the last 15 years. From running collaborative art exhibitions and managing large-scale festivals, her latest endeavour is arguably her most ambitious. As Managing Director of Sydney’s 107 Projects, she’s been integral in creating an impressive cultural space in central Sydney. I met with Jess to check out 107 and talk to her about creative spaces, more generally.  

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